Everything, everything runs too fast for common conceptions of memory to dice out what significance momentary decisions bear. One’s dialogue runs faster than the hand can keep up and the medium becomes restrictive. The mind is alive in a way that neither memory or process can reward, and thus must exist in a realm guided by principles other than the plainly physical. Art is the tool that unites the two, transforming the metaphysical impressions generated by the fluid, rapid mind into the concreteness of expression. It is, in essence, a practice permitting the self to sift unlimited outpour into focused statement, with decision and compromise guiding the flow. For long I have known that patience and peace are virtues I must yet construct; and it is in connecting the dichotomy of source and result, at that very intersection of the physical and metaphysical, that my practice must lie.
Underpinning such standpoints is an understanding that views the mind as both actor and receiver: as much a vessel consuming external stimuli as a beacon projecting and shaping the subjective reality of each being’s existence. Passivity in reception is not for me, thanks. I choose to believe I am not helpless in shaping my world, and that the effort that transforms the metaphysical source into concrete result via the creative process reflects a fundamental capacity of our conscious being to shape the nature of reality, even if only at the margin.